【国画基本信息】
| 作者 | 黄慎 |
| 品名 | 花卉册 |
| 朝代 | 清代 |
| 文件大小 | 108.0MB |
| 分辨率 | 300x300 |
| 像素大小 | 2829x2121 |
| 尺寸（CM） | 23.95x17.95 |
| 创作时间 | 第六幅：清高宗乾隆九年（1744） |
| 作品数量 | 6 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清黄慎花卉 册 Flowers and Blossoms |
| 分类 | 绘画 |
| 作者 | 黄慎 |
| 创作时间 | 第六幅：清高宗乾隆九年（1744） |
| 数量 | 一册：十开（本幅六开。前副叶二开。后副叶二开） |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 33.5x45.9 |
| 前副叶 | 77.4x53.3 |
| 后副叶 | 77.4x53.3 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
| 前副叶 | 纸 |
| 后副叶 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 林宗毅先生捐赠书画目录，页21-23、114 |
| 内容简介（中文） | 黄慎（公元一六八七－一七六八年尚在），福建宁化人。字躬懋，号瘿瓢。山水学黄公望、倪瓒，亦善画道释人物，草书法怀素。画能创水墨新趣，为「扬州八怪」之一。黄慎作画，向能自出新意。是册共计六幅，分别绘碧桃、牡丹、芍药、玉簪、水仙、梅花。以快速运笔，草写花卉各种姿态，笔法虽纵恣然不失灵秀，并将水墨写意之趣发挥至极致。 本册为林宗毅先生捐赠。 |
| 内容简介（英文） | Huang Shen, a native of Fukien province, painted landscapes as well as Buddhist and Taoist figures and also excelled at cursive script calligraphy. He eventually became famous in painting. He created an innovative style and was known as one of the “Eight Eccentrics of Yangchow.” This album of six leaves includes paintings of peach, peony, chrysanthemum, tuberose, narcissus, and plum blossoms. His innovative and personal style parts from nature to reveal his quick brushwork in the cursive forms appearing in various poses. Though unrestrained, his style is still elegant. Huang Shen took the “sketching ideas” style to the peak of abstraction. This work was donated to the Museum by Mr. Lin Tsung-hsien. |
| 内容简介（中文） | 黄慎（一六八七-一七六八之后），福建宁化人。字恭懋，号瘿瓢。家贫无以为继，遂学画，康熙五十八（一七一九）年鬻画于扬州，开创笔墨新趣，为扬州画派重要画家。本册共计六幅，分别描绘碧桃、牡丹、芍药、玉簪、水仙及梅花。用狂草笔法状写各种花卉，笔姿放纵，得荒率之趣而不失灵秀之气。以草书所题之款识与画互为映发，并臻佳妙。 本册为林宗毅先生捐赠。 |
| 内容简介（英文） | Huang Shen (style name Kung-mao, sobriquet Ying-p’iao) was a native of Ning-hua, Fukien. From a poor family without means of making a living, he gradually learned painting. In 1719, he sold his paintings in Yangchow and developed an innovative style, becoming one of the most important figures in the Yangchow school of painting. This album donated by Mr. Lin Tsung-i consists of 6 leaves, one for peach blossoms, tree peonies, peonies, hairpin lilies, narcissi, and plum blossoms. Huang used wild cursive script methods to shape and render each kind of flower, the brushwork unbridled and straightforward without becoming chaotic or vulgar. The inscription in cursive script complements the painting for a perfect match. |
| 参考书目 | 1.〈清黄慎牡丹〉，收入国立故宫博物院编辑委员会编，《牡丹名画特展图录》（台北：国立故宫博物院，1987年四月初版），页46-47。 2.刘芳如，〈清黄慎梅花〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页101。 3.〈清 黄慎 牡丹〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳 历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页162。 |
