清代【爱新觉罗弘旿】《画山水（二）册》

【国画基本信息】

作者	爱新觉罗弘旿
品名	画山水（二）册
朝代	清代
文件大小	218.82MB
分辨率	300x300
像素大小	2830x2122
尺寸（CM）	23.96x17.96
作品数量	12
作品收藏	台北故宫博物院
图片格式	默认提供TIF和JPG两个版本

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基本数据

藏品类型	绘画
品名	清弘旿画山水（二）　册
分类	绘画
作者	爱新觉罗弘旿
数量	一册：十二开（本幅十二开十二幅）

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典藏尺寸

【位置】	【尺寸】(公分)
本幅	24.6x31.9

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质地

【质地位置】	【质地】
本幅	纸

印记数据【印记类别】 【印记】 鉴藏宝玺 乾隆御览之宝 鉴藏宝玺 乾隆鉴赏 鉴藏宝玺 石渠宝笈 鉴藏宝玺 三希堂精鉴玺 鉴藏宝玺 宜子孙 鉴藏宝玺 石渠定鉴 鉴藏宝玺 宝笈重编 鉴藏宝玺 重华宫鉴藏宝 鉴藏宝玺 嘉庆御览之宝 鉴藏宝玺 宣统御览之宝 鉴藏宝玺 宣统鉴赏 鉴藏宝玺 无逸斋精鉴玺

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参考数据

【类别】	【参考数据】
收藏着录	石渠宝笈续编（重华宫），第三册，页1714
收藏着录	故宫书画录（卷八），第四册，页145
收藏着录	故宫书画图录，第二十七册，页248-251
内容简介（英文）	Hung-wu of the Manchu imperial clan was a grandson of the K'ang-hsi Emperor (r. 1662-1722). Hung-wu enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. His style was influenced then by the trend of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch’en 臣”, meaning a court subject. This reverent attitude is also found in other works. Even a work not done on imperial command reveals this attitude. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name, Hung-li, Hung-wu expressed respect by following the custom of avoiding such so-called taboo characters by leaving off the last stroke.
内容简介（中文）	满清宗室 弘旿（卒于公元一八一一），字卓亭，号恕斋，为允秘之子、康熙皇帝之孙。弘旿爱好文学书画，跟随宫廷画家董邦达学画，画风受当时仿古潮流影响，不以新奇为能事。弘旿落款用印附加「臣」字，如此敬慎的态度也见于弘旿其他作品，即使并非奉旨之作亦复如此。由于「弘」字与乾隆皇帝「弘历」第一字相同，为了表示恭敬，弘旿又沿用避讳的惯例，缺写最后一笔。
内容简介（英文）	Hung-wu, a member of the Manchu imperial clan, was a grandson of the K'ang-hsi Emperor (r. 1662-1722). He enjoyed literature, calligraphy, and painting, studying under the court artist Tung Pang-ta. Hung-wu's style was influenced by the trend then of imitating antiquity rather than that of novelty. His signature here, in addition to a seal, uses the character “ch'en ? ”, meaning a court subject. This reverent attitude is also found in his other works. Even a work not done on imperial command reveals this attitude of his. Since the character for “Hung” is the same as the first one in the Ch'ien-lung Emperor's personal name (Hung-li), out of respect, Hung-wu followed the custom of avoiding such so-called taboo characters by leaving off the last brushstroke of that character.

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