【国画基本信息】
| 作者 | 黄钺 |
| 品名 | 眄柯轩图轴 |
| 朝代 | 清代 |
| 文件大小 | 18.0MB |
| 分辨率 | 300x300 |
| 像素大小 | 1518x3954 |
| 尺寸（CM） | 12.85x33.47 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清黄钺眄柯轩图 轴 Mianke Hall |
| 分类 | 绘画 |
| 作者 | 黄钺 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 91.7x31.3 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 黄钺 | 本幅 | 嘉庆己未（公元一七九九年）初冬。桐圃夫子命作。（行楷书）。谢家山色悬楼前。庭有乔柯不记年。输与先生日高咏。簿书堆里擘蛮笺。黄戉并题。（草书）。 | 隶书 | 眄柯轩图。（隶书）。嘉庆己未（公元一七九九年）初冬。桐圃夫子命作。（行楷书）。谢家山色悬楼前。庭有乔柯不记年。输与先生日高咏。簿书堆里擘蛮笺。黄戉并题。（草书）。 |
| 印记： 左田 | |||||
| 题跋 | 陈延庆 | 本幅 | 桐圃大兄明府正题。内弟陈延庆。 | 楷书 | 眄柯轩外梓兼高。容膝厀怡颜寄兴遥。顾恺门中檀三绝。陶潜径里抚孤标。青山诗句群低首。玉笋郎君咲折腰。此日甘棠与桃李。爱橅櫰荫到生绡。桐圃大兄明府正题。内弟陈延庆。 |
| 印记： 延、庆 | |||||
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 山水 | ||
| 其他主题 | 树木 | ||
| 其他主题 | 人物 | ||
| 其他主题 | 建筑 | 斋馆 | |
| 其他主题 | 建筑 | 篱笆、围墙 | 围墙 |
| 其他主题 | 器用 | 文房用具 | 书 |
技法
| 【技法】 | 【技法细目】 |
| 苔点 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 李石曾先生遗赠书画目录，页126 |
| 内容简介（中文） | 黄钺（1750－1841），安徽当涂人，历仕乾隆、嘉庆、道光三朝。嘉庆年间，曾充任秘殿珠林、石渠宝笈三编总阅、全唐文馆总裁。善山水，得萧云从遗韵；晚年专学王原祈，笔更苍厚。 此幅画园内书轩，轩门开敞。内有一人席地而坐，轩中书卷堆满架。轩前有树一株，叶茂干壮，后有远山连绵。款识云：「眄柯轩图」，取意于陶渊明《归去来兮辞》中之「眄庭柯以怡颜」，作者并自题「谢家山色悬楼前，庭有乔柯不记年；输与先生自高咏，簿书堆里擘蛮笺。」盖有归隐山林，闭门读书之情致。画成于嘉庆四年(1799)。 李石曾先生捐赠于民国72年。 (20110204) |
| 内容简介（英文） | Huang Yue, a native of Dangtu in Anhui, served the courts of the Qianlong, Jiaqing, and Daoguang Emperors. In the Jiaqing reign, he was a chief reader for the Gem Forest of the Secret Halls and Treasure Chests of the Stone Moats, Volume III catalogues of the imperial art collections as well as chief officer of Hall of Complete Tang Literature. He also excelled at landscape painting, achieving the spirit of Xiao Yuncong’s manner. In his later years he specialized in studying the style of Wang Yuanqi, his brushwork becoming even more hoary and expansive. This painting depicts a studio nestled in a garden setting with the front gate opening onto a large yard. Inside is a man sitting on the floor of the building filled with stacks of scrolls and books. In front is a strong, luxuriant tree with a string of mountains in the distance. The inscription by the artist at the right reads, “Picture of the Mianke Hall,” the idea for which came from a line in Tao Yuanming’s Homecoming: “Seeing the trees in the courtyard brings joy to my face.” The artist then added a poem of his own that reads, “The colors of Mt. Xiejia are suspended before the building; In the courtyard is a tall tree planted in some year unknown. Mr. Shuyu chants lofty verse by himself, books all stacked inside filled with notes.” The work has an aura of reclusion in the mountains, the person having closed his door to study. This work was done in 1799. Mr. Li Shih-tseng donated this painting to the National Palace Museum in 1983. (20110204) |
