| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈续编（干清宫），第一册，页513 |
| 收藏着录 | 故宫书画录（卷六），第四册，页211 |
| 内容简介（中文） | 林椿（十二世纪）是浙江钱塘人。南宋淳熙年间（一一七四－一一八九）任职于画院，被封为待诏，并且赠与金带，备极荣宠。他最擅长画花鸟和瓜果，虽然用色清淡，却极富自然生意。 本幅选自「宋元集绘」册第二十三开，画玉簪花嫔婷伫立，馥郁的香气，引来蝶儿萦绕飞舞。花与蝶，都以纤细的墨线先行钩出轮廓，随后再填染颜色。雪白的花瓣与翠绿的叶片相互烘托，更增添了香花的奕奕神采。左下角的叶片底下，还可隐约见到林椿的署名。 |
| 内容简介（英文） | Lin Ch'un, a native of Hangchow, served as a court painter in the Ch’un-hsi era (1174-1189). He was a Painter-in-Attendance and was awarded the honored Gold Belt. He specialized in the subjects of birds and flowers as well as melons and fruit. Although he used light colors in painting, his works were still quite naturalistic. This leaf from the album “Collected Sung and Yuan Paintings” shows a blossoming tuberose plant gracefully curving up from below. Its fragrance has attracted a butterfly, which approaches from the left. The flower and butterfly were done with extremely fine outlines that were then filled with colors. The snow-white petals stand out against the emerald-green leaves, further suggesting the subtle fragrance of the elegant blossoms. The signature of the artist is hidden unobtrusively in the lower right corner. |
| 参考书目 | 1.〈林椿写生玉簪〉，收入国立故宫博物院编辑委员会编，《草虫画特展图录》（台北：国立故宫博物院，1986年初版），页12、66。 2.刘芳如，〈中国古画里的草虫世界 — 「草虫天地」特展介绍（下）〉，《故宫文物月刊》，第221期（2001年8月），页93。 |
| 收藏着录 | 故宫书画图录，第二十八册，页246-255 |
| 参考书目 | 许文美，〈宋元集绘 册 宋林椿写生玉簪〉，收入许文美主编《无声诗-南宋的小品绘画》（台北：国立故宫博物院，2021.12），页134-135、177。 |
