清代【倪田】《花鸟图轴》

清代【倪田】《花鸟图轴》 第1张

【国画基本信息】

作者倪田
品名花鸟图轴
朝代清代
文件大小18.02MB
分辨率300x300
像素大小1398x4298
尺寸(CM)11.83x36.38
作品数量1
作品收藏台北故宫博物院
图片格式默认提供TIF和JPG两个版本

基本数据
藏品类型绘画
品名 清倪田花鸟 轴
分类绘画
作者倪田
数量一轴

典藏尺寸
【位置】【尺寸】(公分)
本幅170x51

质地
【质地位置】【质地】
本幅

题跋数据
【题跋类别】【作者】 【位置】 【款识】 【书体】 【全文】
作者款识倪宝田 本幅倪宝田行书
印记: 宝田之印
印记资料
【印记类别】 【印记】
收传印记 宗净道人
收传印记 志超审定
收传印记 来青阁

主题
【主题类别】【主题(第一层)】【主题(第二层)】【主题说明】
主要主题翎毛鸾凤白凤
其他主题树木梧桐
其他主题树木朱竹

技法
【技法】【技法细目】
写意
双钩

参考数据
【类别】【参考数据】
收藏着录 林宗毅先生捐赠书画目录,页73、128-129
内容简介(中文) 倪田(公元一八五五-一九一九年),江苏扬州人,侨居上海。初名宝田,字墨耕,号默道人,璧月盦主。初学画于王小梅(素),人物、仕女及古佛像取境高逸,尤善画马及走兽.。光绪中行商到沪,爱任颐画,遂弃其业而参用任法。水墨巨石,设色花卉,腴润遒劲,擅胜于时,兼工山水,并不多见。寓沪鬻画垂三十年。卒年六十五。 梧桐朱竹、白凤栖枝。通幅未加起稿,钩画渲晕,信手挥洒而成,用笔劲健爽朗。 本幅为林宗毅先生捐赠。
内容简介(英文) White Phoenix Ni T’ien (1855-1929) Ch’ing Dynasty Ni T’ien (given name Pao-t’ien; style name Mo-keng; sobriquet Pi-yueh-an-chu) was a native of Yangchow, Kiangsu. He was originally a student of Wang Su (1794-1877), and his paintings of humans, ladies, and ancient Buddhist figures were lofty in sentiment. He was particularly adept at depicting horses and beasts. During the Kuang-hsu reign (1864-1906) he travelled to Shanghai, where he fell in love with Jen Yi’s (1840-1896) paintings. He subsequently became his pupil. Ni’s large monochrome stones and polychrome flowers and plants were radiant and forceful, and he was well-known during his lifetime. Few of his fine landscapes are still extant. Ni lived and sold paintings in Shanghai for thirty years. He died when he was sixty-five. A white phoenix perched on a branch of a firmiana tree beside vermilion bamboo. The painting was done without a prepared draft. The outlines and colors were added effortlessly and freely, still producing rigid and refreshing brushwork. This painting was donated to the Museum by Mr. Lin Tsung-yi.
参考书目 1.刘芳如,〈清倪田花鸟图〉,收入刘芳如主编,《十九世纪末期中西画风的感通之二--国立故宫博物院所藏同时期名家作品展》(台北:国立故宫博物院,1993年初版),页122。


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