明朝【倪元璐】《松石图轴》

明朝【倪元璐】《松石图轴》 第1张

【国画基本信息】

作者倪元璐
品名松石图轴
朝代明朝
文件大小18.01MB
分辨率300x300
像素大小1490x4031
尺寸(CM)12.61x34.12
作品数量1
作品收藏台北故宫博物院
图片格式默认提供TIF和JPG两个版本

基本数据
藏品类型绘画
品名 明倪元璐松石图 轴
分类绘画
作者倪元璐
数量一轴

典藏尺寸
【位置】【尺寸】(公分)
本幅125.4x45

质地
【质地位置】【质地】
本幅

题跋数据
【题跋类别】【作者】 【位置】 【款识】 【书体】 【全文】
作者款识倪元璐 本幅元璐画于水湄阁行书
印记: 倪元璐印、鸿宝
印记资料
【印记类别】 【印记】
收传印记 俨斋秘玩
收传印记 云间王俨斋牧藏记
收传印记 王鸿绪印

主题
【主题类别】【主题(第一层)】【主题(第二层)】【主题说明】
主要主题山水奇石
主要主题树木

技法
【技法】【技法细目】
苔点

参考数据
【类别】【参考数据】
收藏着录 台静农先生遗赠书画展览,页75、127-128
内容简介(中文) 倪元璐(公元一五九三-一六四四年),字汝玉,号鸿宝,又号园客,浙江上虞人。天启二年进士,官户礼部尚书。崇祯十七年(一六四四),思宗殉国,倪氏感叹身国事至此,遂自缢而绝。倪氏诗文超逸,擅行草、小楷,兼工松石、墨卉。乔松直上,屹立于画幅正中,贞石并峙以为背景。画中用笔,特为急速,尤以松针为然。盖倪氏以书家矫健之笔作画,笔锋力道,能刺人。石用墨染,一片灰黑,相对于此,衬出松树树干之白,画中前后景深,自然立即可辨。 本件为台静农先生遗赠。
内容简介(英文) Pine and Rock Ni Yuan-lu (1593-1644) Ming Dynasty Ni Yuan-lu (style name Ju-yu and sobriquets Hung-pao and Yuan-k’o) was a native of Shann-yu, Chekiang. After receiving his chin-shih civil service degree in 1622, he went on to serve as Minister of Rites. In 1644, however, the Ming dynasty fell to the invading Manchus and Ni committed suicide rather than serve the new rulers. Ni’s poetry and writing was known for its extraordinary qualities; he was also a gifted calligrapher in running and small regular scripts as well as a painter of rocks-and –pines and flowers. In this painting, a majestic pine rises vertically to stand in the middle of the scroll. A solemn rock serves as the only background motif. The use of brushwork here is especially quick and spontaneous, especially in the representation of the needles. In fact, it appears that Ni Yuan-lu has adapted the powerful brushwork of the calligrapher for this painting, creating a force that strikes to the heart of the subject. Heavy washes of ink were used for the rock, and the contrast between them and the background help bring out the details as well as depth and realism. This painting was donated to the National Palace Museum by Mr. T’ai Ching-nung.


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