【国画基本信息】
| 作者 | 蒲华 |
| 品名 | 荷花杨柳图轴 |
| 朝代 | 清代 |
| 文件大小 | 18.02MB |
| 分辨率 | 300x300 |
| 像素大小 | 1305x4605 |
| 尺寸（CM） | 11.04x38.98 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 清蒲华荷花杨柳 轴 Lotus and Willow |
| 分类 | 绘画 |
| 作者 | 蒲华 |
| 数量 | 一轴 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 143.2x38.5 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 蒲华 | 本幅 | 曲栏联句藕花风。拟唐解元赋色法。作英。 | 行草书 | |
| 印记： 蒲华 | |||||
| 【印记类别】 | 【印记】 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 莲荷 | |
| 主要主题 | 树木 | 杨柳 |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 王新衡先生遗赠书画展图录，页13、46 |
| 内容简介（中文） | 蒲华（公元一八三○－一九一一年），秀水（今浙江嘉兴）人，侨寓上海。字作英，一署胥山外史，原名成，字竹英。草书自谓效吕洞宾、白玉蟾，笔意奔放。早岁画花卉，在徐渭、陈淳间。晚乃画竹，心醉文同。山水树石，亦淋漓元气，盖取法石涛、石溪而加以变化。 设色画荷花杨柳。以水墨和花青画垂柳，妙具风姿飘逸之势，并以墨和汁绿画荷叶，红色染花；其下浮萍则以石绿点染。此幅笔墨活泼，赋色明丽，极具生趣。 本幅为王新衡先生捐赠。 |
| 内容简介（英文） | P’u Hua (style names Tso-ying and Chu-ying; also known as Hsu-shan wai-shih) was a native of Hsiu-shui (modern Chia-hsing, Chekiang), but spent most of his life in Shanghai. P’u said that his cursive script imitated that of Lu Tung-ping (fl. 860-873) and Pai Yu-ch’an (fl. 1208-1224) and is expressive and unrestrained. In his early years he painted flower and plant works whose style lay somewhere between that of Hsu Wei (1521-1593) and that of Ch’en Ch’un (1483-1544). Later his bamboo paintings emulated Wen T’ung (1018-1079). His landscapes, trees, and rocks possessed an extremely wet manner: they are executed in the styles of Shih Tao (1642-1707) and Shih Hsi with P’u’s own variations. The monochrome lotus leaf and an ink and indigo willow form a marvelous scene with a graceful force. Additional ink and green have been employed to delineate the lotus leaves and red has been utilized for applying to the flower. The duckwind underneath the lotus has been colored in malachite green. The lively brushwork of this painting and the clear and beautiful color imbue this painting with an extremely lifelike quality. This painting was donated to the Museum by Mr. Wang Hsin-heng. |
| 内容简介（中文） | 蒲华（公元一八三二－一九一一年），字作英，浙江嘉兴人。咸丰三年（一八五三）中秀才。长于花卉墨竹，承袭陈淳、徐渭的写意花卉。晚年寓上海，以鬻画自给。 本幅自识仿唐寅赋色法，以水墨花青画垂柳，水墨汁绿画荷叶，白粉朱砂染花，石绿染浮萍，形成明暗对比，明艳而不失雅淡。柳枝荷茎运笔灵活，展现飘逸曼妙的姿态。本幅为王新衡先生捐赠。 |
| 内容简介（英文） | P’u Hua was a native of Chia-hsing, Chekiang. A Cultivated Talent of 1853, he excelled at painting flowers and bamboo in ink, following the “sketching ideas” tradition of Ch’en Ch’un and Hsu Wei. He later lived in Shanghai, making a living as a painter. In this work donated by Mr. Wang Hsin-heng, P’u Hua inscribed it as imitating the coloring method of T’ang Yin. Washes of ink and blue-green were used for the willow tree, ink and plant-based green washes for the lotus leaves, and washes of pink to red for the blossom. Mineral green highlights the floating water plants below, forming a contrast of light and dark that is opulent yet not gaudy. The willow branches and lotus veins with spirited strokes suggest lightness and movement. |
| 内容简介（中文） | 蒲华（公元一八三○—一九一一年），秀水（今浙江嘉兴）人，侨寓上海。字作英，一署胥山外史，原名成，字竹英。咸丰三年（一八五三）秀才。上承陈淳、徐渭的写意花卉传统，尤擅花卉、墨竹。晚年寓上海，以鬻画自给。 本幅为王新衡先生捐赠。自识仿唐寅赋色法，以水墨和花青画垂柳，妙具风姿飘逸之势，并以墨和汁绿画荷叶，白粉朱砂染花，石绿染浮萍，形成明暗对比，明艳而不失雅淡。通幅运笔灵活，赋色明丽，极具生趣。 |
| 内容简介（英文） | Pu Hua (style name Zuoying; also known as Xushan waishi) was a native of Xiushui (modern Jiaxing, Zhejiang) who resided in Shanghai and originally went by the name Cheng and the style name Zhuying. He became a Cultivated Talent in the civil examination system in 1853. His style of flower painting lay in the tradition of the Ming artists Chen Chun and Xu Wei as he excelled well at flowers and bamboo in ink. Residing in Shanghai in his late years, he sold his paintings there for a living. This |
