【国画基本信息】
| 作者 | 饶介 |
| 品名 | 书中峰幻住像偈-元人杂书卷 |
| 朝代 | 元朝 |
| 文件大小 | 33.8MB |
| 分辨率 | 72x72 |
| 像素大小 | 5968x1887 |
| 尺寸（CM） | 210.53x66.56 |
| 创作时间 | 元顺帝至正廿五年（1365） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 元人杂书 卷 饶介书中峰幻住像偈 Three poems in Seven-character Verse |
| 分类 | 法书 |
| 作者 | 饶介;Rao Jie |
| 书体 | 行书 |
| 创作时间 | 元顺帝至正廿五年（1365） |
| 数量 | 一幅 |
| 作品语文 | 汉文 |
| 释文 | 晴松落。（阙一字）。疎如雨。南风吹绿春天树。树前开徧菡 萏华。池上露凉浑欲语。道人观化无方所。尘世茫茫广歧路。笑看草木岁时香。俱逐游尘何处去。寻华摘叶情如许。公子归来与师遇。萧萧茆屋画为图。是故标师之出处。红衣落尽莲满房。碧藕留丝终幻住。至正廿五年乙巳。十月一日。过幻住出此卷。乃知中峰与松雪一合相耳。虽然。峰亦留此戏后人也。住幻居幻。又造境幻。又使人画像幻。今日复使我作幻语。峰愿力耶。抑遣下则剧耶。当问庵主人。华盖峰浮丘先生童子紫玄洞樵饶介信手识之。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 26.3x109.5 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（延春阁），第六册，页2698 |
| 收藏着录 | 故宫书画录（卷一），第一册，页148 |
| 内容简介（中文） | 饶介（？－公元一三六七年），江西临川人，字介之，号华盖山樵、醉樵、浮丘公童子。倜傥豪放，能诗工书。自翰林应奉佥江浙廉访司事，张士诚据吴，慕其名，召以为淮南行省参知政事，家采莲泾上，日以觞咏为事。士诚败，俘至京师，死之。饶介书远师怀素与王献之，近宗康里巙巙，史称介草书飘逸，又谓其书圆劲畅朗，神追大令。本幅行书中峰明本像偈，作于至正廿五年（公元一三六五年），为晚年精品。书风疏朗秀逸，章草笔法虽不多，然轻灵自然，有画龙点睛之妙。 本幅为元人杂书卷第六幅。 |
| 内容简介（英文） | Jao Chieh (style name Chieh-chih and sobriquets Hua-kai shan-chiao, Tsui-chiao, and Fu-ch'iu-kung t'ung-tzu) was a native of Lin-ch'uan, Kiangsi. Elegant and untrammelled by nature, he was a gifted calligrapher. In the last years of the Yuan dynasty, he served as Hanlin Academician and Surveillance Commissioner of the Chiang-Che Circuit. When Chang Shih-ch'eng took control of the region, he came to admire Jao's reputation and requested him to serve as Branch Secretariat and Magistrate of Huai-nan. Jao Chieh's style was loosely patterned after those of Huai-su (725-785) and Wang Hsien-chih (344-386), but he more closely followed that of K'ang-li Nao-nao (1295-1345). The traditional assessment of his cursive script is that it is free and casual, while his style appears rounded, taut, and flowing in a grand and spirited manner. This work in running script was done in praise of a portrait of the Zen master Chung-feng Ming-pen and was calligraphed in 1365, making it a late work of the artist. The characters flow across the surface in a light, natural and elegant manner. Although not many elements of the cursive style are found in this work, it nonetheless has a spirited touch. This is the sixth work from the handscroll "Assorted Calligraphy by Yuan Masters." |
| 参考书目 | 1.国立故宫博物院，1994年初版），页133。 |
