【国画基本信息】
| 作者 | 孙隆（龙） |
| 品名 | 写生册 |
| 朝代 | 明朝 |
| 文件大小 | 216.44MB |
| 分辨率 | 300x300 |
| 像素大小 | 2832x2123 |
| 尺寸（CM） | 23.97x17.97 |
| 作品数量 | 12 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明孙龙写生 册 Drawing from Life |
| 分类 | 绘画 |
| 作者 | 孙龙;Sun Long |
| 数量 | 一册：十二开（本幅十二开十二幅） |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 23.5x22 |
| 对幅 | 23.5x22 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
| 对幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（延春阁），第四册，页1761 |
| 收藏着录 | 故宫书画录（卷六），第四册，页30-32 |
| 收藏着录 | 故宫书画图录，第二十二册，页166-171 |
| 内容简介（中文） | 孙龙（公元十五世纪）是江苏武进人。宣德年间任职于宫廷，擅长画花鸟草虫。纯以墨彩点染的技法，虽然传承自北宋的「没骨」体，其实已经具备个人的特色。 本幅选自「孙龙写生姚公绶题合璧册」。画中的蜻蜓和豆娘，落笔轻松，彷佛不经意间挥洒而成，但却能充分掌握昆虫的动态及神情。而对页姚公绶的书法，同样落笔潇洒，书画两相呼应，更是在写生之外，平添了文人典雅的气息。 |
| 内容简介（中文） | 孙隆（公元十五世纪），一名龙，字廷振，号都痴（或曰小痴），江苏毘陵人。宣德间入值内廷，曾为金门侍御，后知新安府。作翎毛草虫，得北宋徐崇嗣没骨法、及赵昌设色法之趣，又能兼融南宋梁楷之水墨写意法，及元代王渊之设色写意法，为明代写生高手。 此册画绢已上矾，故笔虽湿而色不晕开，在将干未干时，层加墨笔，颇有墨色淋漓之趣。孙隆能充份发挥墨与色融合的特殊效果，使得花鸟画有了更丰富的表现技巧。 |
| 内容简介（英文） | Sun Lung (style name t’ing-chen, sobriquet Tu-ch’ih of Hsiao-ch’ih) was a native of P’i-ling, Kiangsu province. He entered the Inner Court during the Hsuan-te reign and served as an official at Peking. Later he served in Hsin-an, Anhui. He specialized in painting birds and insects. He was adept at using the “boneless” method (mo-ku) of the Northern Sung artist Hsu Ch’ung-ssu and the coloring techniques of Chao Ch’ang. He was also able to incorporate Liang K’ai’s method of capturing the vitality of depicted objects through monochrome ink as well as Wang Yuan’s method of applying colors. Of Ming dynasty artists, Sun Lung was one of the most skilled in the techniques of “drawing from life.” Alum was applied to the silk of the album leaves, so that although the brush was heavily loaded with colors and water, the colors did not bleed. After this layer dried half way, another layer of wet, black ink was applied, creating the effect of dripping wet ink. Sun Lung was particularly gifted in incorporating both monochrome ink and colors, achieving the most exquisite results, enriching bird-and-flower paintings. |
| 内容简介（中文） | 孙龙（公元十五世纪），一作孙隆。字从吉，又字廷振，号都痴，武进（江苏常州）人。开国忠愍侯（兴祖，一三三六－一三七○）之孙。宣德间（一四二六－一四三五）入值内廷，官至侍御，后知新安府。幼颖异，有仙人气度。其画山水宗二米；画花鸟草虫，以彩色渲染，得徐崇嗣、赵昌没骨法，饶有生趣。 写意画烟山云树，富于水份之墨色，颇多层次，极具淋漓之感。一片蒙蒙岚气之中，云山缥缈，丛树幽深，倍觉空灵之美。 |
| 内容简介（英文） | This sketch of mist-filled mountains and cloud-covered forests, limned in watery ink applied in many layers, communicates a feeling of moisture and dampness. Clouds and mountains seem to float above the deep forest, creating a feeling of ephemeral beauty in an expanse of mist and haze. Sun Lung’s style-names were Ts’ung-chi and T’ing-chen; his sobriquet was Village Idiot. He was a native of Ch’ang-chou, Kiangsu. Sun, a child prodigy, was a grandson of Sun Hsing-tzu (1336-1370), who helped establish the Ming dynasty. In the Hsuan-te era (1426-1435) he served at court as an Attendant Censor and later served as Prefect of Hsin-an Prefecture. In his landscapes, Sun emulated the styles of the Northern Sung painters Mi Fu (1052-1107) and his son Mi Yu-jen (1072-1151). Sun’s paintings of flowers and birds and of grasses and insects were executed in w |
