【国画基本信息】
| 作者 | 石涛 |
| 品名 | 诗画合璧卷 |
| 朝代 | 清代 |
| 文件大小 | 178.71MB |
| 分辨率 | 72x72 |
| 像素大小 | 28086x2121 |
| 尺寸（CM） | 990.81x74.82 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画,书法 |
| 品名 | 清石涛诗画合璧 卷 Poetry and Painting |
| 分类 | 绘画 |
| 作者 | 石涛 |
| 数量 | 一卷 |
| 作品语文 | 汉文 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅一 | 25.8x34.9 |
| 本幅二 | 21.4x20.6 |
| 本幅三 | 24x34.5 |
| 本幅四 | 21.6x20.8 |
| 本幅五 | 24x36.5 |
| 本幅六 | 21.6x20.7 |
| 本幅七 | 21.1x34.9 |
| 本幅八 | 21.6x20.6 |
| 全高 | 30.8 |
| 隔水一 | 11.8 |
| 本幅 | 314.2 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 张岳军先生王雪艇先生罗志希夫人捐赠书画特展图录，页196-205、237-239 |
| 收藏着录 | 罗家伦夫人张维桢女史捐赠书画目录，页132-135、178-179 |
| 内容简介（中文） | 石涛（公元一六四二－一七０八年）本名朱若极，是明朝皇室的后裔。明亡后出家为僧，游历于宣城、金陵、扬州等地。兼善画山水、花果、兰竹，笔意狂纵恣肆，用墨淋漓多变。提倡「我自用我法」，为清初创新派的代表。 本幅为张维桢女士捐赠，全卷共八幅，书画相间，各居其半。由第一幅右下方书有己巳（一六八九）来推测，应成于四十八岁。是年，康熙帝南巡，曾于扬州召见石涛。本卷之首幅〈海晏河清〉，正是在纪录此一盛事。 |
| 内容简介（英文） | Shih-t’ao originally went by the name Chu Jo-chi and was a scion of the Ming dynasty imperial clan. After the fall of the Ming, he took the tonsure and traveled around the areas of Hsuan-ch’eng, Chin-ling, and Yangchow. Also gifted at painting landscapes, fruits-and-flowers, and bamboo-and-orchids, his brushwork was unrestrained and carefree, while his use of ink varied and often wet. He advocated the notion of “I use my own method”, becoming a representative of innovation in early Ch’ing painting. This work, donated to the National Palace Museum by Ms. Chang Wei-chen, includes a set with eight pieces of painting and calligraphy (four each), Judging from a seal on the first leaf that gives the cyclical date of “chi-ssu”, which corresponds to 1689, it was probably done by Shih-t’ao at the age of 47. In that year, the K’ang-hsi Emperor made an inspection tour of the south and even had an audience with Shih-t’ao. The first work in this handscroll, “The River Clear and Sea Calm”, is his record of that momentous occasion. |
