【国画基本信息】
| 品名 | 明人仿宋元诸家山水册 |
| 朝代 | 明朝 |
| 文件大小 | 359.93MB |
| 分辨率 | 300x300 |
| 像素大小 | 2122x2827 |
| 尺寸（CM） | 17.96x23.93 |
| 作品数量 | 20 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 明人仿宋元诸家山水 册 Landscape Paintings after Song and Yuan Masters |
| 分类 | 绘画 |
| 数量 | 一册：二十开（本幅二十开二十幅） |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅一 | 53.3x34.5 |
| 本幅二 | 51.5x35.7 |
| 本幅三 | 54.9x34.2 |
| 本幅四 | 52x35.7 |
| 本幅五 | 48.2x33.1 |
| 本幅六 | 55x35.7 |
| 本幅七 | 51.3x35 |
| 本幅八 | 51.5x35.9 |
| 本幅九 | 52.2x34.9 |
| 本幅十 | 51.6x36 |
| 本幅十一 | 51.5x45 |
| 本幅十二 | 51.8x35.1 |
| 本幅十三 | 51.3x35.8 |
| 本幅十四 | 50.6x33.6 |
| 本幅十五 | 51.7x35.8 |
| 本幅十六 | 50.6x35.8 |
| 本幅十七 | 50x35.3 |
| 本幅十八 | 51.7x34.5 |
| 本幅十九 | 52.8x36 |
| 本幅二十 | 53.2x34.5 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 本册计二十幅，选展其七。无款印。画法密实，虽云册页小幅，但布景、用笔、渲染、设色，乃至一树一人，不因小而有所疏忽，表现出画家精神饱满，处处照顾周到。明人山水，承袭宋元，学元人者，自由主观；学宋人者，重理客观。本册于笔法运用，偏学元人，但空间观念，又是融合宋人手法，前后景清清楚楚，直欲令人从容坐游其间，这是累积前代经验所致。本册虽无名款，就风格论，与同时展出之明代陆远摹古册，实在非常相近，可能即出于陆氏之手，或其同师承者。 |
| 内容简介（英文） | There are twenty leaves in this album of which seven are exhibited. The album leaves have neither the signature nor seals of the artist. The painting style is detailed. Although these are small-sized album leaves, the compositions, brushwork, washes, coloration, even each figure and each tree, are all carefully executed. All these elements reveal the artist's skill and desire to pay attention to all aspects of the paintings despite the small size. Ming dynasty artists who painted landscapes continued in the tradition of Sung (960-1279) and Yuan (1279-1368) artists. Those who studied Yuan artists exhibited freedom and subjectivity, while those who followed Sung artists emphasized principles and objectivity. In this album, the artist tended to follow Yuan dynasty brushwork but incorporated the concepts of space developed by Sung artists. The foregrounds and backgrounds are depicted in a clear fashion, as though inviting the viewer into the paintings. This album is the result of an accumulation of painting techniques. Although unsigned, in terms of style, this album is so similar to the album Copies of Ancient Paintings by Lu Yuan also in this exhibition that it might even be by Lu Yuan or one of his close followers. |
| 收藏着录 |
