近现代【谭泽闿】《行书七言联轴-1》

近现代【谭泽闿】《行书七言联轴-1》 第1张

【国画基本信息】

作者谭泽闿
品名行书七言联轴-1
朝代近现代
文件大小18.01MB
分辨率300x300
像素大小2120x2832
尺寸(CM)17.94x23.97
作品数量1
作品收藏台北故宫博物院
图片格式默认提供TIF和JPG两个版本

基本数据
藏品类型书法
品名 民国谭泽闿行书七言联 轴
Seven-character Couplet in Running Script
分类法书
作者谭泽闿
书体行楷书
数量二轴
作品语文汉文
释文 勋劳至大不矜伐。道德积身惟敬勤。敬之先生正捥。弟谭泽闿。

典藏尺寸
【位置】【尺寸】(公分)
本幅203.3x44.6
全幅51.3

质地
【质地位置】【质地】
本幅
印记数据【印记类别】 【印记】 作者印记 谭泽闿印 作者印记 瓶斋
参考数据
【类别】【参考数据】
收藏着录 何应钦将军遗赠书画展图录,页60、109
内容简介(中文) 民国初期,「颜体」书法的传绪不乏其人,书家融入个人对颜书的诠释,进一步丰富传统书法表现的内涵,谭泽闿(一八八九-一九四七)适为其中之一。谭氏字祖同,号瓶斋,湖南茶陵人。早年即沈潜诗文书法,无意仕进,以砥砺学行为个人努力的目标。由于勤习颜体书法多年,谭氏练就浑厚的笔力之外,复能掌握结字方圆的变化,写来刚柔相济恰到好处。本幅为何应钦将军捐赠。(20110103)
内容简介(英文) In the early Republican era were many calligraphers following the “Yan Style,” referring to Yan Zhenqing. Adding interpretations of Yan’s style into their own, they gave further substance and richness to traditional calligraphy. Tan Zekai was such a person. A native of Chaling in Hunan, in his early years he delved into poetry and calligraphy, choosing not to pursue a career in office and instead striving to become a devoted and upright scholar. Because Tan assiduously studied the Yan Style for many years, he was not only able to practice natural and powerful brushwork, he could also grasp the variations of angled and rounded strokes, striking a perfect balance between hard and soft. This work was donated to the Museum by General Ho Ying-chin.(20110103)


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