【国画基本信息】
| 作者 | 吴昌硕 |
| 品名 | 篆书七言联-2 |
| 朝代 | 清代 |
| 文件大小 | 18.03MB |
| 分辨率 | 300x300 |
| 像素大小 | 1623x3704 |
| 尺寸（CM） | 13.74x31.36 |
| 创作时间 | 中华民国十年（1921） |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 民国吴昌硕篆书七言联 轴 Seven-character Couplet in Seal Script |
| 分类 | 法书 |
| 作者 | 吴昌硕;Wu Changshi |
| 书体 | 篆书 |
| 创作时间 | 中华民国十年（1921） |
| 数量 | 二轴 |
| 作品语文 | 汉文 |
| 释文 | 以朴为秀古原树。其真自写斜阳花。（篆书）。冠卿仁兄雅属。曾见吴山子集此联背临之。时辛卯（应为酉）（公元一九二一年）春。七十八叟吴昌硕。（行书）。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 133.3x33.6 |
| 全幅 | 194x42 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 签 | 包首 | ||||
| 印记： 辰园珍藏（重一） | |||||
| 【印记类别】 | 【印记】 |
| 作者印记 | 俊卿之印 |
| 作者印记 | 仓硕 |
| 作者印记 | 半日邨 |
参考数据
| 【类别】 | 【参考数据】 |
| 内容简介（中文） | 吴昌硕（一八四四－一九二七），原名俊，又名俊卿，浙江安吉人。早年跟随父亲读书，继因太平天国战乱与家人离散，居无定所。二十一岁返乡后，始得自修苦读，考中秀才。吴氏一度担任知县，因志趣不合离任，此后潜心诗文、书画、篆刻，成为「海上画派」代表人物之一。吴氏篆书用功〈石鼓文〉最深，晚年入古出新，开拓新风貌。此幅书联从〈石鼓文〉集字而成，笔力苍劲饶有古风。(20110913) |
| 内容简介（英文） | Wu Changshi (original name Jun and also named Junqing) was a native of Anji in Zhejiang. In early years, he learned with his father and, due to chaos caused by the Taiping Rebellion, was separated from his family, moving around with no fixed abode. After returning to his hometown at the age of 21, he began to study by himself in earnest, passing the prefecture examinations as a Cultivated Talent. Wu at one time served as Prefect, but his ambition was not in officialdom, so he left his post. Afterwards he devoted himself to poetry and prose, painting and calligraphy, and seal carving, becoming one of the representative figures in the Shanghai School of painting. Wu in seal script reveals his greatest effort in Stone Drum script, in later years innovating on tradition to forge a new style of his own. This work is a couplet based on characters from the Stone Drum script, the brush force strong and full of archaism.(20110913) |
