| 【类别】 | 【参考数据】 |
| 收藏着录 | 林宗毅先生捐赠书画目录，页64、126 |
| 内容简介（中文） | 吴昌硕（公元一八四四－一九二七年），浙江安吉人。原名俊，字昌硕，又字仓石，别号缶庐、苦铁，又署破荷、老缶、大聋，七十岁后以字行。书法以石鼓文见长，用笔结体，一变前人成法；篆刻由浙、皖诸家入手，上溯秦汉印鈢，钝刀硬入，朴茂苍劲；又以金石书法入画，气魄雄浑，色彩浓郁，为海上画派巨擘。此幅水墨梅花为吴氏六十三岁作，画风由清润秀雅将入苍劲朴质之际。画中梅干，枝枒、花瓣及苔点均用浓淡墨相间点画，充分表现出水墨交融的趣味。本幅为林宗毅先生捐赠。 |
| 内容简介（英文） | Wu Ch’ang-shih (style name Ts’ang-shih; sobriquets Fou-lu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang. In calligraphy, Wu specialized in stone-drum script. He transformed the brushwork and structure of previous calligraphers to form his own style. He studied seal carving from various masters in Chekiang and Anhwei and went back to carving Ch’in (255 BC-207 BC) and Han (206 BC-AD 220) dynasty style seals: the hard medium of the seal stone was carved with blunt lines to reveal a plain yet hoary strength. Furthermore, Wu also applied the calligraphic style of stone and bronze inscriptions to his paintings, creating a grandiose and rich style with deep, bold colors. He became a noted artist of the Shanghai School. This painting of plum blossoms in monochrome ink was executed by Wu when he was sixty-two. The painting style ranges from richness and elegance to a realm of hoary strength and plainness. A plum tree in this work with twigs, branches, circular petals, and moss dots are all rendered in complementary shades of light and dark ink accented by dots, thereby fully expressing the atmosphere of harmoniously blended and varied ink tones. This painting was donated to the Museum by Mr. Lin Tsung-yi. |
| 内容简介（中文） | 吴昌硕（公元一八四四－一九二七年），浙江安吉人。书法以石鼓文见长，用笔结体，一变前人成法；又以金石书法入画，气魄雄浑，为海上画派巨擘。画中梅干、枝枒、花瓣及苔点均用浓淡墨相间点画，表现水墨交融的趣味。题识曰「梅花照影清浅浅，玲珑碎玉嵌颇黎。日斜人影亦在水，惊醒翠禽凄一啼。」在诗中延伸画意，唤起观者欣赏花影、人影，在水中美的意象。本幅为林宗毅先生捐赠。 |
| 内容简介（英文） | Wu Ch’ang-shih excelled at Stone Drum calligraphy, transforming that of the ancients. He also introduced Bronze and Stele script into painting for a bold manner, being a leader of the Shanghai School. The plum branch, twigs, and blossoms along with moss dots here are all done in contrasting light and dark ink, for a wonderful play of ink. The inscription reads, “Illuminated plum blossom shadows are like pure and shallow streams, as if exquisitely inlaid with pieces of shattered jade. A person’s shadow in th |
