【国画基本信息】
| 作者 | 王冕 |
| 品名 | 幽谷先春图-集古名绘册 |
| 朝代 | 元代 |
| 文件大小 | 18.01MB |
| 分辨率 | 300x300 |
| 像素大小 | 2832x2120 |
| 尺寸（CM） | 23.97x17.94 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 绘画 |
| 品名 | 集古名绘 册 元王冕幽谷先春 Harbinger of Spring in a Serene Valley |
| 分类 | 绘画 |
| 作者 | 王冕 |
| 数量 | 王冕 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 27.7x22.7 |
| 对幅 | 27.7x22.7 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
| 对幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 作者款识 | 王冕 | 本幅 | 元章 | ||
| 印记： 竹斋图书 | |||||
| 题签 | 王冕幽谷先春 | ||||
| 题跋 | 清仁宗 | 对幅 | 嘉庆甲子（公元一八０四年）新正上澣御题 | 楷书 | 三阳腊底渐敷宣。幽谷寒梅得气先。吐萼独标百花首。含苞已露早春前。琼姿应是瑶台侣。玉骨欣逄阆苑仙。诗兴漫从雪中觅。画图省识冷香传。嘉庆甲子（公元一八０四年）新正上澣御题。 |
| 印记： 嘉、庆 | |||||
| 【印记类别】 | 【印记】 |
| 鉴藏宝玺 | 嘉庆鉴赏 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
主题
| 【主题类别】 | 【主题(第一层)】 | 【主题(第二层)】 | 【主题说明】 |
| 主要主题 | 花草 | 梅（白．红．蜡梅） |
技法
| 【技法】 | 【技法细目】 |
| 写意 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 故宫书画录（卷六），第四册，页217 |
| 收藏着录 | 石渠宝笈三编（圆明园清晖阁），第八册，页3650 |
| 参考书目 | 1.刘芳如，〈元王冕幽谷先春〉，收入国立故宫博物院编辑委员会编，《画梅名品特展》（台北：国立故宫博物院，1991年元月初版），页85-86。 2.〈集古名绘 册 元王冕幽谷先春〉，收入谭怡令、刘芳如、林莉娜主编《满庭芳-历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页190-191。 |
| 内容简介（中文） | 王冕（公元一二八七—一三五九年），浙江诸暨人。字符章，号煮石山农，又号老村、竹堂及会稽外史。幼贫好读书，潜入学听诸生讲诵，暮返遂亡其羊，为父所逐。因走依佛寺，夜坐佛膝上借长明灯读书。会稽韩性异之，录为弟子。明经取科第不中，遂放旷江海间，士之负才气者争与交。平生善画竹石，尤工墨梅，不减扬补之。此帧画老梅横斜，枝条迸出，寒花累累，傲骨凌凌。以飞白笔写梅干，用笔硬挺而有风神，生意盎然。花则含苞、绽放各具姿态。通幅以淡墨烘染，更突显梅花清冷之美。 |
| 内容简介（英文） | Wang Mien (style name Yuan-chang; sobriquets Chu-chih shan-nung, Lao-tsun, Chu-t'ang, and K'uai-chi wai-shih) was a native of Chu-chi, Chekiang. He came from a poor family, but as a youth was fond of studying. One day he slipped into the local school to study with others, only to lose the sheep in his care at nightfal1. Expelled by his father, he sheltered himself in a temple and nightly sat on the knees of a Buddha sculpture at night in the temple so as to catch some lamp light to study by. The scholar Han Hsing of K'uai-chi rewarded his assiduity by taking him as his pupil. After having failed in a lower civil service examination, he traveled about and wherever he went many men of letters vied with each other in seeking his association. Throughout his life he excelled at painting bamboo and rocks and was particulatly adept at plum blossoms in monochrome ink, no less than Yang Wu-chiu of the Sung dynasty. In this album leaf is an old convoluted plum tree with scattered branches and piles of cold blossoms that are independent and chaste. The trunk of the plum tree is depicted in "flying white" with the silk showing through the ink. The brushwork is tough and rigid, but spirited in its liveliness. The blossoms, whether as buds or in full blossom, are posed in their characteristic stances. The entire work has been suffused with washes of light ink, even further accenting the pure and cold |
