【国画基本信息】
| 作者 | 文征明徵明 |
| 品名 | 草书七言诗轴 |
| 朝代 | 明朝 |
| 文件大小 | 18.01MB |
| 分辨率 | 300x300 |
| 像素大小 | 1719x3493 |
| 尺寸（CM） | 14.55x29.57 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 明文征明草书七言诗 轴 Seven-character-verse Poem in Cursive Calligraphy |
| 分类 | 法书 |
| 作者 | 文征明 |
| 书体 | 草书 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 三月韶华过雨浓。暖蒸花气日溶溶。菜畦麦陇青黄接。云岫烟峦紫翠重。一片垂杨春水渡。两崖啼鸟夕阳松。晚风吹酒篮舆倦。忽听天平寺里钟。征明。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 198.4x96.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 绢 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 盛京书画录，第五册，页12 |
| 收藏着录 | 故宫书画录（卷二），第一册，页11 |
| 参考书目 | 1.何传馨，〈明文征明草书七言诗〉，收入何传馨编，《书法之美特展图录》（台北：国立故宫博物院，1992年五月初版一刷），页85-86。 |
| 内容简介（中文） | 文征明（公元一四七0－一五五九年），江苏长洲人。字征仲，号衡山居士。五十四岁以岁贡到北京，任翰林院待诏，参与撰写﹝武宗实录﹞，后来厌倦京师生活，回到故里，专意艺事，年九十卒。他在诗文和书画方面都有很高的造诣，是明代中叶苏州画坛的领袖。 文征明善各体书，行、草宗王羲之传统，学黄庭坚、赵孟頫。本幅大字行草，是本色书，用笔劲健流畅，气势通贯全幅。诗句提到太平山寺，应是描写暮春三月，游览苏州城郊所见。 |
| 内容简介（英文） | Wen Cheng-ming (style name Cheng-chug, sobriquet Heng-shan chu-shih) was a native of Ch’ang-chou, Kiangsu provice. When he was fifty-three, he went to Peking to serve as an academician in the Hanlin Academy and participated in the compilation of the Veritable Records of the Emperor Wu-tsung. Afterwards, he grew disillusioned with his official lifestyle in Peking, returned to his hometown, and took up the life of a literatus. Living to the age of eighty-nine, he excelled as a poet, essayist, calligrapher, and artist, and became a leader in the artistic community of Suchou during the middle Ming period. Wen Cheng-ming was a calligrapher skilled in all script types. For running or semi-cursive and cursive scripts, he followed the tradition of Wang Hsi-chih and studied Huang T’ing-chien and Chao Meng-fu. In this hanging scroll, he has written large characters in running cursive calligraphy, fully revealing his own style. The brushwork is strong, tensile, and fluid, and a kind of energy permeates the entire work. In the poem, he mentions a monastery on Mt. T’ai-p’ing which he probably saw in the environs of Suchou during late spring. |
