【国画基本信息】
| 作者 | 祝允明 |
| 品名 | 书在山记-元明书翰第十册 |
| 朝代 | 明朝 |
| 文件大小 | 108.0MB |
| 分辨率 | 300x300 |
| 像素大小 | 2829x2121 |
| 尺寸（CM） | 23.95x17.95 |
| 创作时间 | 明孝宗弘治八年（1495） |
| 作品数量 | 6 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 元明书翰第十册 册 祝允明书在山记 Record of “In the Mountains” |
| 分类 | 法书 |
| 作者 | 祝允明;Zhu Yunming |
| 书体 | 行书 |
| 创作时间 | 明孝宗弘治八年（1495） |
| 数量 | 十二幅 |
| 作品语文 | 汉文 |
| 释文 | 在山记。号琴者曰在山。进善琴者希之尔。钟子之谓伯牙氏曰。巍巍然若太山。时牙志果在高山也。夫本吾神明所趋。高而有山。山而后有指。指而后有弦。弦而后有音。音而后有耳。耳而后有吾之音与弦与指与神明焉。以有山于其间。将山从志乎。将志从山乎。将山与志皆必从于弦乎。将虚乎实乎。当其时必有宫角征商羽半宫半征之调。必有散引操曲之章。必有疏急修促起止之度。左之于徽。右之于丝。固不以类吾之思。其诸有者。则将有之乎。将无之乎。有则此实矣。孰从而出是山。无则不知何为必伺乎手鸣而后识也。期牙之谈妙今古。吾妄（脱一字）其可疑者在此。虽然。吾札之论列国风。尼父之见文王。皆尔矣。理必有不可破者。吾其未臻故云尔。意者其说蕴诸周易乎。盖曰形而上者谓之道。形而下者谓之器。其妙矣乎。吾未能以窥焉。张文瑞能琴。因问号。号以在山。所谓进牙而希之。且列是端。俾文瑞他日进焉。则举其所得以解我。弘治乙卯（公元一四九五年）重九。乡贡进士苏台祝允明。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 23.9x10.7 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（延春阁），第六册，页2574-2576 |
| 收藏着录 | 故宫书画录（卷三），第一册，页281-283 |
| 收藏着录 | 故宫历代法书全集，第十七册，页104-111、120-122 |
| 内容简介（中文） | 祝允明（公元一四六一－一五二六年），是明代中叶苏州文士书家的典型，他生长于官宦家庭，与文艺界有密切关系，博学多闻，擅长多种文体，在书法上也显现多重风貌，晚年纵逸的草书尤其受人赞赏。 这篇记文是为一位自号「在山」的琴师张文瑞，引经据典的阐述山川、琴音与心志间的关系。写于三十五岁，是得到举人身份的第三年。书风近似赵孟頫，在俊美的外表下，不掩其洒脱不羁的才气。 |
| 内容简介（英文） | Chu Yun-ming is representative of the scholar-calligrapher in the Soochow area during the middle Ming. Born into an official’s family, he became closely associated with the art world. A learned scholar, he also excelled at many script types in calligraphy. He had many styles, but the freedom of his late cursive script is especially admired. “In the Mountains” here actually refers to the style name of the lutanist Chang Wen-jui. It quotes on the relationship between one’s spirit, lute music, and the landscape. Written at the age of 34, it was done by Chu three years after becoming a chu-jen civil service candidate. The style is similar to that of Chao Meng-fu, but the handsome style still reveals the genius of this unbridled talent. |
| 内容简介（中文） | 祝允明（公元一四六一－一五二六年），是明代中叶苏州文士书家的典型，博学多闻，擅长多种文体，在书法上也显现多重风貌，晚年纵逸的草书尤其受人赞赏。 这篇记文是为一位自号「在山」的琴师张文瑞，引经据典的阐述山川、琴音与心志间的关系。写于三十五岁，是得到举人身份的第三年。书风近似赵孟頫，在俊美的外表下，不掩其洒脱不羁的才气。本幅选自「元明书翰」。(20100102) |
| 内容简介（英文） | Zhu Yunming was a representative scholar-calligrapher in Suzhou from the middle Ming dynasty. Born into an official’s family, he closely associated with art and literary circles. A learned scholar, he excelled at various calligraphic scripts. He developed many styles, but the freedom of his late cursive script is especially admired. “In the Mountains” here actually refers to the self-styled sobriquet “Zaishan” of the lutanist Zhang Wenrui. It quotes the relationship between one’s spirit, lute music, and the landscape. Done at the Chinese age of 35, it was calligraphed by Zhu 3 years after earning his Provincial civil service degree. The style is similar to that of Zhao Mengfu (1254-1322), but the beauty still reveals the genius of this unbridled talent.(20100102) |
| 参考书目 | 〈元明 |
