【国画基本信息】
| 作者 | 董其昌 |
| 品名 | 书杜甫谒玄元皇帝庙诗图轴 |
| 朝代 | 明代 |
| 文件大小 | 18.03MB |
| 分辨率 | 300x300 |
| 像素大小 | 1273x4723 |
| 尺寸（CM） | 10.77x39.98 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 明董其昌书杜甫谒玄元皇帝庙诗 轴 Free-copy of Xu Hao's Calligraphy of a Poem by Du Fu |
| 分类 | 法书 |
| 作者 | 董其昌;Dong Qichang |
| 书体 | 楷书 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 配极玄都閟。凭高禁御（应作籞）长。守祧严具礼。掌节镇非常。碧瓦初寒外。金茎一气旁。山河扶绣户。日月近雕梁。仙李盘根大。猗兰奕叶光。世家遗旧史。道德付今王。画手看前辈。吴生远擅场。森罗移地轴。妙绝动宫墙。五圣联龙衮。千官列雁行。冕旒俱秀发。旌旆尽飞扬。翠柏深留景。红梨逈得霜。风筝吹玉柱。露井冻银床。身退卑周室。经传拱汉皇。谷神如不死。养拙更何乡。右杜少陵谒玄元皇帝庙诗。相传为徐季海书。虽方实圆。脱去虞褚姿媚态。余每临之。此其一也。董其昌。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 181.5x46.1 |
| 全幅 | 302x71 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
题跋数据
| 【题跋类别】 | 【作者】 | 【位置】 | 【款识】 | 【书体】 | 【全文】 |
| 题跋 | 闵声 | 雪蓑声识 | 董宗伯先生书法之妙。世皆知之。然皮相者。先生之行草耳。而赝笔十居其七。至于楷法。世人未许梦见。此书乃先生用意临摹。楮墨精好。此予久在先生门下。见其运笔之妙。否则不知其精神所（脱一字）也。此不特得徐浩之法。兼得欧颜之神。非磨墨万锭。未可与窥其奥也。雪蓑声识。 | ||
| 印记： 毅夫、声 | |||||
| 【印记类别】 | 【印记】 |
| 作者印记 | 董其昌印 |
| 作者印记 | 玄宰氏 |
| 鉴藏宝玺 | 乾隆御览之宝 |
| 鉴藏宝玺 | 乾隆鉴赏 |
| 鉴藏宝玺 | 石渠宝笈 |
| 鉴藏宝玺 | 三希堂精鉴玺 |
| 鉴藏宝玺 | 宜子孙 |
| 鉴藏宝玺 | 嘉庆御览之宝 |
| 鉴藏宝玺 | 嘉庆鉴赏 |
| 鉴藏宝玺 | 宝笈三编 |
| 鉴藏宝玺 | 宣统御览之宝 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈三编（干清宫），第二册，页576 |
| 收藏着录 | 故宫书画录（卷二），第一册，页15-16 |
| 内容简介（中文） | 董其昌（公元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。 本轴临徐浩书杜甫谒玄元皇帝庙诗，董氏临罢自题曰：「徐季海书虽方实圆，脱去虞褚姿媚态。」其用笔温雅敦厚，字字肉丰而力沉，不特得徐浩之法，兼得欧颜之神。虽未署年，然以笔力之沉稳，与笔划涩进抖动之态推断，应为晚岁经意之作。 |
| 内容简介（英文） | Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. This hanging scroll is a freehand copy of Hsu Hao's calligraphy of a poem by Tu Fu. When Tung finished writing this, he wrote, "Although Hsu Chi-hai's (Hsu Hao) calligraphy seems to contain many square brushstrokes, the strokes are in actuality round. His style has abandoned the sweet manner of Yu Shih-nan and Ch'u Sui-liang."The brushwork of Tung's piece is elegant and straightforward and the structure of each character is strong and stalwart. Tung has also captured the combined spirit of Ou-yang Hsun and Yen Chen-ch'ing. Although the work is undated, the forcefulness and stability of his characters, and the uneven, moving quality of the piece suggests that this is a careful work of Tung's late years. |
