【国画基本信息】
| 作者 | 董其昌 |
| 品名 | 临张旭郎官壁记图轴 |
| 朝代 | 明代 |
| 文件大小 | 18.03MB |
| 分辨率 | 300x300 |
| 像素大小 | 1449x4149 |
| 尺寸（CM） | 12.26x35.12 |
| 作品数量 | 1 |
| 作品收藏 | 台北故宫博物院 |
| 图片格式 | 默认提供TIF和JPG两个版本 |
基本数据
| 藏品类型 | 书法 |
| 品名 | 明董其昌临张旭郎官壁记 轴 Copy of Chang Xu’s Inscription on a Minister’s Wall |
| 分类 | 法书 |
| 作者 | 董其昌;Dong Qichang |
| 书体 | 楷书 |
| 数量 | 一轴 |
| 作品语文 | 汉文 |
| 释文 | 上天垂象。北极着于文昌。先王建邦。南宫列为会府。六官既辩。四方是则。大总其纲。小持其要。礼乐刑政。于是乎达。而王道备矣。圣上至德光被。睿谋广运。提大象以佑生人。躬无为以风天下。三台淳曜。百辟承宁。动必有成。举无遗策。年和俗厚。千载一时。而犹搜择茂异。网罗俊逸。野罄兰芳。林殚松秀。尽在于周行矣。夫尚书郎廿四司。凡六十一人。上应星纬。中比神仙。咸擅国华。以成台妙。修词制天一之议。伏奏为朝廷之容。信杞梓之薮泽。衣冠之领袖。临张长史郎官壁记。董其昌。 |
典藏尺寸
| 【位置】 | 【尺寸】(公分) |
| 本幅 | 161.2x54.9 |
质地
| 【质地位置】 | 【质地】 |
| 本幅 | 纸 |
参考数据
| 【类别】 | 【参考数据】 |
| 收藏着录 | 石渠宝笈续编（干清宫），第一册，页442 |
| 收藏着录 | 故宫书画录（卷二），第一册，页13 |
| 内容简介（中文） | 董其昌（公元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书，谥文敏。天才隽逸，善书画，富收藏，尤精鉴赏。临摹书迹，至忘寝食。行楷之妙，称绝一代。 本轴未署年，以所钤「大宗伯印」推断，当作于崇祯五年（一六三二）抵京应宫詹大宗伯之召以后。董氏好杂临诸家，独造奥妙，求其神似于不似间。本幅临张旭郎官壁记，略得张书之意，结体用笔，则见徐浩影响。 |
| 内容简介（英文） | Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. The "ta-tsung-po-yin" (seal of the great Tsung-po) seal impressed on this hanging scroll indicates that it was written after 1632, when Tung was summoned to this position. Tung enjoyed free-copying works by various calligraphers and creating a mysterious aura, capturing a spirit which lay somewhere between resemblance and non-resemblance. This scroll is a free-copy of Chang Hsu’s Inscription on a Minister's Wall is a free-copy of Chang's style, and roughly captures Chang's style, but the structure of Tung's characters and the brushwork reflect the influence of Hsu Hao (703-782). |
| 内容简介（中文） | 董其昌（公元一五五五－一六三六年），字玄宰，号思白，江苏华亭人。万历十七年（一五八九）进士，官至礼部尚书。善书画，富收藏，尤精鉴赏。行楷之妙，称绝一代。本轴钤「大宗伯印」，当作于崇祯五年（一六三二）应宫詹大宗伯之召后。董其昌好杂临诸家，独造奥妙，求其神似于不似间。本幅节临唐张旭郎官壁记，略得张书笔法精严之意，结体沉稳，运笔生动，表现出晚年本色书风。 (20121017) |
| 内容简介（英文） | Dong Qichang (style name Xuanzai, sobriquet Sibo) was a native of Huating, Jiangsu. A Presented Scholar of 1589, he served as Minister of Rites. He excelled at painting and calligraphy, amassing a large collection and being an excellent connoisseur. Marvelous at semi-standard script, he was unparalleled in his tim |
